C
The Second C
No. 02 of 04

Colour — how white it is.

Diamonds are graded for colour from D (completely colourless) to Z (light yellow). Our default recommendation sits at the top of the scale — D, E or F — where there's no detectable tint to the naked eye in any setting.

G is acceptable in the right cut stone, where the cut is doing the optical work. We can source any colour on request.

What it actually means

Colour is graded by what's not there.

The colour grade measures the absence of yellow tint in a diamond. D is the absence of any colour — completely colourless. Z is a faint yellow that's visible to the naked eye.

Between those extremes, the differences are graded but real. D, E and F are colourless — there's no detectable tint, in any light, from any angle. G is the first of the near-colourless grades, where a well-cut stone can still read white in a setting. From H onwards, a soft warmth begins to enter the stone, becoming visibly yellow by K and unmistakably so by N.

The colour grade scale

G
Acceptable in the right cut
H–J
Near colourless
K–M
Faint warmth
N–Z
Visible yellow
Our recommendation: D, E or F — fully colourless. G is acceptable in a well-cut stone where the cut is doing the optical work.
The full scale

D to Z, at a glance.

The GIA colour scale runs from D (completely colourless) through Z (light yellow). The groupings below mark where the eye starts to register warmth — and where we typically draw the line on what we recommend.

Diamond colour grading chart from D to Z
Reading the chart
Differences are exaggerated for clarity. The colourless range (D–F) shows no detectable tint to the naked eye.
D–F   our default. Truly colourless.
Why we start at D–F

Once the eye knows what colourless looks like, it doesn't forget.

D, E and F are the colourless grades. There is no detectable tint in the stone, viewed from any angle, in any light — it reads as pure white. This is where we begin every recommendation. A colourless diamond never looks warm against a white setting, never looks dull against skin, and never starts to feel "off" five years later under a different light than the one you bought it in.

G is the first of the near-colourless grades. In a well-cut stone, where the cut is doing the optical work, a G can sit beautifully in a ring without revealing its grade to the eye. We'll recommend G when the cut quality is strong and the client prefers the value — but it's a judgement call on the individual stone, not a default.

Below G, the warmth becomes increasingly perceptible. H through J are near-colourless on paper but begin to show a soft warmth in white settings. K and below show a visible yellow tone. We can source any of these on request — some clients prefer the antique warmth of a J or K in a yellow gold setting — but they sit outside our default recommendation.

We start every recommendation at D, E or F. Colourless is the standard we ask of every diamond we set.
— Dane, on twenty years of selling diamonds
Colour and metal

Metal affects perceived colour.

The metal surrounding a diamond influences how its colour reads. White metals (platinum, white gold) demand the highest colour grade because there's nowhere for warmth to hide. Yellow and rose gold absorb warmth into the metal, which means lower grades read whiter than they actually are.

Platinum & white gold

D–F

Cool white metals reveal every degree of warmth. We recommend colourless only — the contrast between metal and stone makes any tint immediately visible.

Yellow gold

D–F default · G–H on request

Yellow metal forgives a warmer stone. We still default to D–F, but a well-cut G or H can read beautifully here for clients who prefer the value.

Rose gold

D–F default · H–J for antique feel

The warmest metal flatters warmer stones. Clients seeking a vintage glow can step into the H–J range — we'll source the stone and let you compare before committing.

If you only remember three things

  • We default to D, E or F. Truly colourless is the standard we ask of every diamond we set, regardless of setting metal.
  • G is acceptable in the right stone. When the cut is strong and the client prefers the value, a G can sit beautifully — but it's a per-stone judgement, not a starting point.
  • We can source any colour. Warmer grades (H onwards) are available on request, particularly for yellow or rose gold settings where the warmth flatters the metal.
Ready to look at stones?

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Filter hundreds of thousands of certified diamonds by colour grade, shape and price. We default to D, E and F — and can source any grade on request.